After a protracted struggle with dense, recursive text, this weekend I finally made it all the way through Adhocism: The Case for Improvisation by Charles Jencks and Nathan Silver. First published in 1972, it is a manifesto for readymakers, arguing that everyone is a designer and all the world is a mash-up of disparate elements. In some ways it is very of its time -- swept up in the hippie-futurism of Buckminster Fuller, Drop City, Stewart Brand, and Archigram -- but in other ways it is remarkably prescient, fully predicting the internet and the resurgence in maker culture that we are seeing today.
Read MoreDavid Helbich, an artist and photographer, has been living in Brussels, Belgium for the last eleven years. Brussels is the capital of the European Union, a complex patchwork of nations, languages, and ancient neighborhoods. The citizens are fragmented along various cultural lines, but co-exist in a city-state of blasé bonhomie. Helbich, a native German, began going on long walks to learn the geography of his new home. Eventually, he started taking his camera to document wrinkles in the urban fabric that he dubbed Belgian solutions.
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